Abstract
This article proposes to read Juan Luis Martínez's new novel from its experimental condition through the notions of erasure and infinite writing. Due to the above, there will be three sections of analysis referred to as stories, speeches and textual material of the work of Martinez to give a plot sequence, linking theoretical elements of Derrida and Deleuze and thus systematize a symmetry between the experimental of the writing of the mentioned book with some rhizomatic and deconstructive operations.
References
Ubicado sobre la repisa de la habitación
el gato no tiene ni ha tenido otra tarea
que vigilar día y noche su propia porcelana.
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Copyright (c) 2024 Gonzalo Rojas Canouet