El signo poético y su desplazamiento performático : La poesía de Carmen Berenguer

Abstract

This work will analyze four works by Carmen Berenguer (Bobby Sands desfallece en el muro, Huellas de siglo, A media asta y Sayal de pieles) as a corpus that represent a border moment in the political and cultural history in Chile: the dictatorship and the return to democracy, that is, the step of the installation and continuity of the neoliberal model and of globalization. Therefore, Carmen Berenguer, from poetic writing, experiences the crisis of these moments in national history, "steals" the images of the neoliberal landscape and returns them critically, disobeying language, decomposing its use and taking it to the confusing limits between semantic and phonic. To account for this process, theoretical elements of the difference in Deleuze and Taylor's repertoire and archive will be used.